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Soroush Dabiri
Soroush Dabiri
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I ma capturing the scene at Riotel See Pavilion at Matane, Quebec

I USE MY CAMERA, AS AN OBSERVER, NOT AS A PHOTOGRAPHER

Light Observation Exercise

When I get a chance of being in any conservation area or national park, photography is one of my favourite activities. With my camera, I get a deeper look at natural forms and I enjoy observing how light direction plays with them. When I am capturing a scene, I am mostly following the interconnection between forms and the way their colors reflect on each other. It is an amazing unconscious process where I see the results in my paintings and when natural marks emerge trough the paint mediums spontaneously.    

Collection 1: Combined Figures

Combined Figures Series
Photo 1, November 2018
In front of a painting by Francoise Sullivan

Montreal Museum of Contemporary Art
 

Combined Figures Series
Photo 2, October 2018
Art in Use Exhibition

Museum of Contemporary Art

Toronto
 

Combined Figures Series
Photo 3, May 2018
In front of a video by Olivia Boudreau The exhibition titled: That’s How the Light Gets In exhibition

Montreal Museum of Contemporary Art

Combined Figures Series
Photo 4, February 2016
Lines 2, by Katie Lyle and Shelby Wright

Finishing Lines, One-day performance festival

Forest City Gallery, London, Ontario


Combined Figures Series
Photo 5, February 2019

Alexander Calder

A Radical Inventor

Museum of Fine Art, Montreal  


At the Museum of Modern Art, New York
Head of a Man on a Rod
Alberto Giacometti
by Soroush Dabiri

Combined Figures Series
Photo 6, October 2019

Alberto Giacometti

Head of a Man on a Rod

Museum of Modern Art, New York

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