I USE MY CAMERA, AS AN OBSERVER, NOT AS A PHOTOGRAPHER
Light Observation Exercise
When I get a chance of being in any conservation area or national park, photography is one of my favourite activities. With my camera, I get a deeper look at natural forms and I enjoy observing how light direction plays with them. When I am capturing a scene, I am mostly following the interconnection between forms and the way their colors reflect on each other. It is an amazing unconscious process where I see the results in my paintings and when natural marks emerge trough the paint mediums spontaneously.
Combined Figures
Combined Figures Series
Photo 1, November 2018
In front of a painting by Francoise Sullivan
Montreal Museum of Contemporary Art
Combined Figures Series
Photo 2, October 2018
Art in Use Exhibition
Museum of Contemporary Art
Toronto
Combined Figures Series
Photo 3, May 2018
In front of a video by Olivia Boudreau The exhibition titled: That’s How the Light Gets In exhibition
Montreal Museum of Contemporary Art
Combined Figures Series
Photo 4, February 2016
Lines 2, by Katie Lyle and Shelby Wright
Finishing Lines, One-day performance festival
Forest City Gallery, London, Ontario
Combined Figures Series
Photo 5, February 2019
Alexander Calder
A Radical Inventor
Museum of Fine Art, Montreal
Combined Figures Series
Photo 6, October 2019
Alberto Giacometti
Head of a Man on a Rod
Museum of Modern Art, New York
Photo 1
Visual Diaries
Circling Through Time Series
A Decade in Captured Rounds
Photo 2
Ever-present Allure of the Circle
Circling Through Time Series
A Decade in Captured Rounds
Photo 3
The Survival Hidden in the Ordinary
Circling Through Time Series
A Decade in Captured Rounds
Photo 4
The Man-made Circle
Circling Through Time Series
A Decade in Captured Rounds
Photo 5
Profound Gathering
Circling Through Time Series
A Decade in Captured Rounds
Photo 6
The Transformative Power
Circling Through Time Series
A Decade in Captured Rounds
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