The Next In-Person and Online Drawing and Painting Courses Starts on April / May 2025

Soroush Dabiri
Soroush Dabiri
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Composition and balance

Composition Level 1: Arrangement and Model Making

Composition Level 1: Arrangement and Model Making

Composition Level 1: Arrangement and Model Making

Balance is a fundamental element of artistic expression. In this course through 10 lessons, students practice on governing the principles of composition as a fundamental of visual art through applying variety of drawing mediums such as drawing pencils, charcoals, inks, and pastels in order to learn how to create balanced compositions. Following and understanding those principals to consider for balance, equips students with a versatile skill that can be applied to various artistic disciplines, whether it's drawing, painting, photography, graphic design, or sculpture.

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Composition Level 2: Collage Making

Composition Level 1: Arrangement and Model Making

Composition Level 1: Arrangement and Model Making

 Collage assembling is an excellent practice for enhancing the ability to create balance in composition. In this course students work with a wide range of materials, including images, papers, fabrics, textures, and found objects. This diversity offers an opportunity to experiment with various colors, patterns, and textures, promoting a better understanding of how different elements can work together harmoniously.

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Composition 1: Arrangement and Model Making

About the Course

Practices in this course encourage students to understand how balance can be used to create different moods, atmospheres, and emotions in their work. Whether they want to convey calmness, tension, or excitement, balance plays a significant role. 


A well-balanced composition is visually appealing and has a more significant impact on the viewer too. It draws the viewer's attention and creates a sense of harmony and order, making the artwork more engaging and it is a crucial practice for students to learn how to structure their compositions to ensure that the intended message is clear and resonates with the audience.


In this course students learn to tie different elements together and ensures that the overall piece feels harmonious. This skill is vital when students work with various elements and subjects in their art. All practices aim to reinforces students' technical skills. It involves elements like line, shape, color, and space, which are foundational to visual art. Reflecting those elements, students learn to consider optimal viewing distance, angles, and perspectives to ensure that the composition is balanced when seen from the intended vantage point.


Through the practices students present their work for critique evaluating the balance of their compositions, which allows them to engage more effectively in constructive criticism and refine their work to gain additional perspectives on their work.


Understanding and practising the creation of well-balanced compositions are fundamental to art education. It equips art students with the essential skills to produce aesthetically pleasing and effective artwork, facilitates effective communication of their ideas, and lays the groundwork for their future artistic growth and development. Whether they are pursuing a career in the arts or creating art for personal enjoyment, these skills are invaluable.

Course Outcomes

  • Ability to Balance Elements in composition
  • Establishing a visual hierarchy
  • Having better control over balance between contrast and harmony
  • Having better control over balance simplicity and complexity in a composition
  • Better understanding of the focal point, scale, and proportion in a composition
  • Understanding the direction and movement of elements within a composition 
  • Better understanding of Rhythm and Variety
  • Understanding the Viewer's Perspective

Registration

Lessons

Session 1: Vertical and Horizontal Balance, Practice 1: Formal Balance

Placement of units forming a perspective in the stage  creating a balance across the middle through placing the focal point at the middle of composition 



Session 2: Vertical and Horizontal Balance, Practice 2: Balance by Transition

Creating a balance by opposition of line and spot Creating a path for the eye through a series of oppositional units  

Session 3: Get in to the Painting through units’ arrangement

Place starting point directing the eye on further into the composition 

Session 4: Perspective Recession, Getting helps from angular forms and zigzag lines

Leading the eye comes upon the subject of interest and travel out of the composition   

Session 5: Circular Observation, Strong unity of form and action

Moving through pyramid to concentric line of observation 

Moving vision in ever-expanding ellipses through the painting  

Session 6: Composition of Ovals, Reconstruction for Circular Observation

Sacrifice and elimination of edges and corners

Session 7: Angular Composition, The Triangle A force by concentration through stable construction

Session 7: Angular Composition, The Triangle A force by concentration through stable construction

Compose the main form of triangles as well as supporting spaces

Session 8: Angular Composition, the main roll of angles to construct the composition

Session 7: Angular Composition, The Triangle A force by concentration through stable construction

Angles produce equality between horizontal and vertical lines, through series of right angles that arrive at the same point as a tangent

Session 9: Structural and Conjunctive Lines in a Composition

Lines convey aesthetic value, visual sense, and emotions Plan a linear design connected with the frame through conjunction of vertical, horizontal, curve, zigzag, circular, and oval lines  

Session 10: Composition with group of units, The importance of s-shape structures in a composition

Create harmony of arrangement considering focal point through personal perspective Unifying units within four sides of the frame through following light and shade 

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Composition 2: Collage Making

About the Course

Collage encourages artists to visually experiment with different combinations of colors, patterns, and shapes. This experimentation can lead to the discovery of new, unexpected relationships and the development of creative solutions to balance within a composition. Students are asked to try multiple arrangements and combinations before settling on the most balanced and visually appealing composition. They can shift, layer, overlap, and modify elements until they achieve the desired visual equilibrium. This practice of trial and error helps students refine their skills and find the right balance.


Collage assembling frequently involves combining elements from different sources, such as photographs, magazine clippings, and hand-drawn elements. Integrating these diverse materials encourages artists to explore how to harmonize disparate styles and patterns within a single composition.


One of the main aspects of the practices in this course is understanding negative space. Effective use of negative space is crucial in collage assembling. Students must consider not only the elements themselves but also the spaces between them. This consideration of negative space contributes to a better understanding of how it impacts balance.


Materials and Equipment


 

Course Outcomes

  • Creating harmony between different elements
  • develop a more intuitive sense
  • development of creative solutions to balance within a composition
  • Better Understanding of Negative Space
  • Developing Creativity and Conceptual Thinking
  • Developing a Personal Style

Registration

Lessons

Session 1: A lookout, Week 1: Sketching, exploring, and developing the idea

Session 1: A lookout, Week 1: Sketching, exploring, and developing the idea

Session 1: A lookout, Week 1: Sketching, exploring, and developing the idea

 Mark making with graphite and charcoals preparing the source material  

Material:

  • Graphite Set
  • Charcoal set
  • Different bases


Session 2: A lookout, Week 2: Complete the painting

Session 1: A lookout, Week 1: Sketching, exploring, and developing the idea

Session 1: A lookout, Week 1: Sketching, exploring, and developing the idea

Arranging patterns and textures in the composition based on the first study   

Material:  

  • Cardboard
  • White glue
  • Painter Tape 

Session 3: Street Viewing, Week 1: Sketching, exploring

Session 1: A lookout, Week 1: Sketching, exploring, and developing the idea

Developing the idea. Mark making and preparing the source material 

Materials: 

  • Markers Set
  • Windsor Inks set 
  • Watercolor brush set 
  • Watercolor paper
  • Different papers
  • Trey
  • Jar

Session 4: Street Viewing, Week 2: Complete the painting

Arranging patterns and textures in the composition based on the first study 

Materials:

  • Cardboard
  • White glue
  • Painter Tape 

Session 5: A Houseplant, Week 1: Sketching, exploring, and developing the idea

Mark making and preparing the source material 

Material: 

  • Markers Set
  • Different papers

Session 6: A Houseplant, Week 2: Complete the painting

Arranging the mixture of different patterns and textures in the composition  

Materials:

  • Cardboard
  • White glue
  • Painter Tape 

Session 7: A Landscape, Week 1: Sketching, exploring, and developing the idea

 Mark making preparing the source materials  

Materials:  

  • Windsor Inks set 
  • Watercolor brush set 
  • Watercolor paper
  • Different papers
  • Trey
  • Jar

Session 8: A Landscape, Week 2: Creating a depth in painting through layering the units

Completing a painting through Arranging the mixture of different patterns and textures in the composition

Materials: 

  • Cardboard
  • White glue
  • Painter Tape 

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materials and equipment

Mediums

Applicators

Applicators

  • Graphite, 4B drawing pencil 
  • Graphite, 8B drawing pencil 
  • Charcoal stick, soft hardness
  • Black Indian Ink 
  • Windsor  Drawing Inks 

Applicators

Applicators

Applicators

  • Bamboo reed pens
  • Steel pen and various nibs
  • Sable brush for Ink #8
  • Smudge blender
  • Foam brush and roll
  • Kneaded rubber eraser

Supports

Applicators

Equipment

  • White Bristol board sheet
  • Watercolor paper 
  • Newsprint paper 
  • Bristol paper

Equipment

Accessories

Equipment

  • Masking tape
  • Liquid school glue
  • Glue stick
  • Candle
  • Paper towel
  • Aluminium Foil
  • Twine string 

Accessories

Accessories

Accessories

  • Drawing board
  • Tray
  • Glass jar

Accessories

Accessories

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