The Next In-Person and Online Drawing and Painting Courses Starts on April / May 2025

Soroush Dabiri
Soroush Dabiri
  • Home
  • Acquire Art
    • Original Art
  • Collections
    • Upcoming Series
    • Latest Series
    • Past Series
    • Quick View
  • Online Art Classes
    • Course Calendar
    • About The Program
    • Drawing
    • Drawing Portrait
    • Composition and Balance
    • Color and Vision
    • Watercolour
    • Oil
    • Acrylics
    • Mixed Media
  • In-person Art Classes
  • Announcements
  • Blog
  • About Me
  • Captured Moments
  • Contact

Head, Neck, and portrait

Portrait Level 1: Structures of Head and Neck

Portrait Level 2: Portrait and Self-Expression

Portrait Level 2: Portrait and Self-Expression

 This course emphasizes on the structure of the head and neck as an important foundation for portrait and figure drawing. The best way to learn this complex subject effectively is through a step-by-step approach that breaks down the anatomy and form into manageable components. 

Find out more

Portrait Level 2: Portrait and Self-Expression

Portrait Level 2: Portrait and Self-Expression

Portrait Level 2: Portrait and Self-Expression

Having a strong foundation in the fundamentals of portrait drawing, including proportions, anatomy, and understanding the structure of the head and face provides a solid platform for promoting self-expression through portrait drawing. Through the practices in this course students are encouraged to develop their observational skills by studying real people, photographs, or live models. Observational drawing helps students capture the nuances of the human face, allowing them to later infuse their personal style. 

Find out more

Portrait Level 1: Structures of Head and Neck, Online

15 March - 3 May 2024,  Fridays, 6:00 - 7:00 pm,  Eastern Standard Time 

Registration

Portrait Level 1: Structures of Head and Neck

About the Course

Practices in this course start with the fundamental shapes that make up the head and neck. The head is often an oval, and the neck can be simplified as a cylinder. This simplification helps students grasp the basic structure. Students learn about the proportions and measurements of the head and neck. They practice on common measurements, such as the eyes being approximately halfway down the head and the ears aligning with the eyes. Practices encourage students to use construction lines and guidelines to help map out the features, such as the mid-line, horizontal lines for the eyes and mouth, and vertical lines for alignment. These guidelines serve as a helpful framework.


Learning the structure of the head from both frontal and profile views provide essential information about the features and proportions of the face. This approach can help students understand the three-dimensional aspects of the head and neck which will aid in drawing from different angles and creating lifelike portraits.


In this course students learn to break down the major anatomical features of the head, including the eyes, nose, mouth, ears, and hairline in order to understanding the underlying bone structure and how it influences the surface features. Understanding facial bones, the jaw, and the skull's form, structure, and proportions is critical for accurately rendering the head and neck. This knowledge also helps students to understand how muscles contribute to the contours of the face, the movement of features, and emotional expressions.


Through creating a series of studies, focusing on specific features, angles, and expressions, art students can gain a solid foundation in understanding the structure of the head and neck, paving the way for more advanced and expressive portraiture in their artistic journey. The study of head and neck structure is a lifelong journey, and students should continue to refine their skills and knowledge over time.


 

Course Outcomes

  • Understanding the fundamentals of the head and neck structure
  • Self-assessment improvement in the head and neck structure
  • Three-dimensional understanding of the structure of the head and neck  
  • Understanding of major facial muscles
  • Understanding of the skull's skeletal structure
  • Understanding of the structure of the head from both frontal and profile views
  • Understanding of the proportions and measurements of the head and neck

Registration

lessons

Session 1: Basic Proportions of the head – Week 1

Following general axis and eye level line 

Session 2: Basic Proportions of the head – Week 2

Classification of two main groups: Bones and Muscles

Bones of cranium surrounding the brain, Bones of the face

Session 3: The Relationship between the face proportions and the head structure - Week 1

Session 3: The Relationship between the face proportions and the head structure - Week 1

Spatial appearance of the head in ¾ view 

Following the facial muscles understanding the basic structure 

Session 4: The Relationship between the face proportions and the head structure - Week 2

Session 3: The Relationship between the face proportions and the head structure - Week 1

Spatial appearance of the head in ¾ view

Following the facial muscles understanding the basic structure 

Session 5: Basic proportions of the head combined with the skull structure, in profile - Week 1

Relationship between cranium and the facial skull 

Session 6: Basic proportions of the head combined with the skull structure, in profile - Week 2

Relationship between cranium, the facial skull, and the neck 

Session 7: Simplifying the main structures, Connecting proportions

Simplifying the main head and neck shapes and structure 

Session 8: The muscles and the eyes

The basic shape of the eye, the structure of the nose

Session 9: The muscles and the mouth

The basic shape of surrounding vermilion of the lips 

Session 10: Self Portrait

Session 10: Self Portrait

Observational drawing  

Portrait Level 2: Portrait and Self-Expression, Online

15 March - 17 May 2024,  Fridays, 7:30 - 8:30 pm,  Eastern Standard Time 

Registration

Portrait Level 2: Portrait and Self-Expression

About the Course

In this course students explore different mark-making techniques experiment with various strokes, lines, and textures to convey emotions, moods, and character in their portraits. Using varied mediums help students understand the significance of empathizing with their subjects to convey feelings in their artwork. Also, experiment portrait drawing through applying different mediums Introduce students to different artistic styles such as realism, impressionism, expressionism, and abstraction. This exposure allows them to find the style that best aligns with their self-expression. In this course students are allowed to experiment with various drawing mediums, such as pencil, charcoal, pastels, watercolor pencils, and ink.


The process of self-expression is deeply personal and can evolve over time. In this course students are encouraged to be patient with themselves and to embrace the journey of self-discovery through portrait drawing. Each individual's path to self-expression is unique, and art teachers play a vital role in guiding and supporting their artistic development.


Exposure to various mediums makes students more versatile artists. Each drawing medium has its unique visual language and characteristics. By exploring various mediums, students can develop a broader range of tools and techniques to convey their ideas and emotions in their portraits. The choice of medium can significantly impact the overall mood, style, and message of their artwork. Whether it's the precision of pencil, the fluidity of watercolor, or the boldness of ink, students can choose the medium that best aligns with their personal expression.


Using various mediums encourages students to embrace an experimental mindset. It fosters a willingness to take risks, try new things, and push the boundaries of their artistic comfort zone. This experimentation can lead to exciting breakthroughs in self-expression. Encouraging art students to explore different mediums is crucial for fostering their self-expression in portrait drawing. It empowers them to develop a rich and versatile artistic language, allowing them to convey their unique perspectives, emotions, and ideas in diverse and engaging ways.
 

Course Outcomes

  • Individuality and Uniqueness in drawing portrait 
  • Personal Style Development
  • Increased Visual Literacy
  • Greater Resilience
  • Enhanced Skill Set in multiple mediums
  • Creative Problem-Solving
  • Diverse Visual Language
  • Freedom to Experiment
  • Emotional Connection
  • Become skilled at Observational Drawing

Registration

lessons

Session 1: Finger Drawing – Week 1, Front View

Portrait drawing in front view following general structure and characteristics of the head and neck by applying charcoal or graphite powder 

Materials: 

  • Graphite Powder
  • Charcoal Powder
  • Bristol Paper  

Session 2: Finger Drawing – Week 2, ¾ View

Portrait drawing in ¾ view following general structure and characteristics of the head and neck by applying charcoal or graphite powder 

Materials: 

  • Graphite Powder
  • Charcoal Powder
  • Bristol Paper 

Session 3: Finger Drawing – Week 3, Profile View

Portrait drawing in profile view following general structure and characteristics of the head and neck by applying charcoal or graphite powder 

Materials:

  • Graphite Powder
  • Charcoal Powder
  • Bristol Paper 

Session 4: Spatial appearance of the head in front view, Using Inks – Week 1

Following general structure and characteristics of the head and neck by applying inks 

Materials:

  • Inks Set
  • Watercolor Paper 

Session 5: Spatial appearance of the head in ¾ view – Week 2

Following general structure and characteristics of the head and neck by applying inks 

Materials: 

  • Inks Set
  • Watercolor Paper

Session 6: Spatial appearance of the head in Profile view – Week 3

Following general structure and characteristics of the head and neck by applying inks 

Materials: 

  • Inks Set
  • Watercolor Paper 

Session 7: Realistic feature of head and neck – Week 1

Creating Mass through Pen and Ink / Marker

Materials: 

  • Pen and Inks
  • Bristol / Glossy Paper

Session 8: Realistic feature of head and neck – Week 2

Creating Mass through Pen and Ink / Marker

Materials: 

  • Blue or Black Pen
  • Bristol / Glossy Paper

Session 9: Self-Portrait through Collage Making – Week 1

Analyzing the source image into shapes, plans, forms, and values under the light effect

Materials: 

  • Graphite Set
  • Bristol Paper

Session 10: Self-Portrait through Collage Making – Week 2

Session 10: Self-Portrait through Collage Making – Week 2

Collage Making by following general structure and characteristics of the head and neck under the light effect

Materials: 

  • Different kind of used papers would be applicable as a source 
  • Glue Stick
  • Scissor   

Copyright © 2013-2025 Nature Inspired Art Studio - Soroush Dabiri - All Rights Reserved.

  • Home
  • Original Art
  • Upcoming Series
  • Latest Series
  • Past Series
  • Course Calendar
  • About The Program
  • Announcements
  • Blog
  • About Me
  • Captured Moments
  • Contact

Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

DeclineAccept